we have been conditioned to think about figures directly unless these are generally clearly stated become otherwise.

we have been conditioned to think about figures directly unless these are generally clearly stated become otherwise.

Today is Bisexual Visibility Day, which means that we reach celebrate one of the better bisexual fictional figures of them all: The 100‘s Clarke Griffin. Clarke Griffin, just how do I love thee? I want to count the methods. (Cue obnoxious “11 times Clarke had been THE GREATEST” post, amIrite?) The 100 does not get back because of its third period until the following year, which will be simply crazy, like crazy because it’s the best show on TV, and I miss it. Luckily, today is Bisexual Visibility Camsloveaholics Day, which provides me personally the perfect opportunity to wax lyrical in regards to the show once again! No, really, I’m obsessed.

Because one of several ways that are many that the 100 is efficiently (yup, efficiently. Just ask the article writers. Simply no work whatsoever. The terms simply flow as promised, no all nighters needed) pressing the boundaries of little display screen storytelling is through casually presenting a feminine love interest because of its lead character, making Clarke Griffin not just bisexual, but demonstrating that her sex makes simply no huge difference to her character.

Towards the most readily useful of our knowledge. Let me commemorate Clarke Griffin today, even though The 100 will not clearly label her nor should it. She nevertheless functions as a great part model and illustration of bi exposure on tv. a little recap: In period 1, Clarke discovered by herself in a awkward semi love triangle with Finn and Raven, that was finally remedied in period 2 whenever Finn went crazy and slaughtered a number of Grounders (that I nevertheless state is very normal behavior, that being said), and Clarke had been forced to destroy him, sparing him through the discomfort he could have endured at the Grounders’ hands.

(This, in addition, ended up being among the best episodes of tv ever, but I’ll sing a ballad that is heartbroken the tragedy of Finn Collins several other time.) Meanwhile, Clarke had developed a powerful and relationship that is complicated Lexa, the Commander regarding the Grounders and, incidentally, the one who condemned Finn to death.

Lexa is really a character that is fantastic her very own right, obviously attempting to suppress her compassion at every change, and making difficult alternatives so that you can hold on the alliance she’s got somehow been able to form utilizing the other Grounder tribes. With no more apparent was Lexa’s challenge compared to the summer season 2 finale, where she betrayed Clarke along with her individuals to conserve her very own. But we’re getting ahead of ourselves.

Lexa, plainly, ended up being exactly about Clarke. She revealed halfway through the summer season that she’d had a lady fan (“Her name had been Costia, and she was mine”), and proceeded to create heart eyes at her new closest friend but why should we assume that Clarke would return her emotions? Most likely, tv has typically been a medium that is heteronormative. Our company is conditioned to think about figures directly unless these are generally clearly stated become otherwise. Also it’s therefore, really easy for television shows wanting to become more comprehensive, without using any dangers that could influence their reviews, to prevent during the implication of queerness. It is risk-free for characters to throw looks that are loving each other or even make “gay jokes,” so long as they don’t continue.

For companies (whom, important thing, primarily worry about advertisers), it is the perfect middle ground: slash shippers get material with regards to their fanvids and continue steadily to promote the show on social media marketing (shippers are usually the absolute most active on the web, most likely), as well as the increasingly extinct “general audience” can rest easy understanding that the heteronormative, nohomo media model continues to be doing work for them. It’s a tested and tried formula.

Not The 100, because its article article writers DGAF concerning the media’s strange concern with alienating the CIS guy audience that is white. Either Jason Rothenberg is pulling a Bellamy and doing long lasting hell he wishes, or it is that simple for a conventional community show to introduce an aspect that is new of founded character’s sex (in which particular case: challenge extended, Supernatural).

Enter Clarke Griffin: The 100‘s primary character, a perfectly problematic, strong, sort, ruthless, psychological and leader that is compassionate. Considered directly just by heteronormative presumption. She falls for Finn, Finn ends up to own a wonderful gf already, Finn dies. She grows nearer to Lexa, Lexa kisses her, and Clarke kisses her straight straight back. When Clarke informs Lexa she’s perhaps not prepared for the relationship, the minute is laden up with a lot of things: Our individuals are sorts of at war, that ought to actually put a damper on any budding romance. You forced us to destroy my boyfriend, also style of a point that is sticking. While the big one: we don’t understand if I’m able to trust you.

The thing which was no problem? The reality that they’re both females.

It is perhaps maybe not revolutionary for Clarke to be bisexual (for it not to be a big deal although it is refreshing, as television has traditionally drawn a line between gay and straight, ignoring all other possibilities in fear of confusing the audience), but it’s revolutionary. In a news landscape in which you have the a long time ago creators declaring that they’re considering launching A lgbtq+ relationship in the 5th period of the show, as well as the Marvel president telling us to anticipate a non right character when you look at the MCU over the following a decade, it is refreshing for a show just like the 100 to just flat down introduce bisexuality as an ordinary, non noteworthy thing, then continue with the storyline they’re wanting to inform.

Exactly exactly What The 100 understands a lot better than just about all other shows on television is that sexuality should not be your defining characteristic today. It, it shouldn’t even be one of your defining characteristics unless you yourself draw attention to. Clarke Griffin is just a fantastic character. Her sex has nothing in connection with that. The main reason we applaud The 100 is not without fanfare because they“made Clarke bi,” but because they allowed her to follow her heart, wherever it took her. Literally almost every other manager and/or showrunner, be aware please. This will be just just exactly how it is done.

Leave a Reply

Your email address will not be published. Required fields are marked *